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Amazon.com From the very start of its very first scene, The Amber Spyglass will set hearts fluttering and minds racing. All we'll say here is that we immediately discover who captured Lyra at the end of The Subtle Knife, though we've yet to discern whether this individual's intent is good, evil, or somewhere in between. We also learn that Will still possesses the blade that allows him to cut between worlds, and has been joined by two winged companions who are determined to escort him to Lord Asriel's mountain redoubt. The boy, however, has only one goal in mind--to rescue his friend and return to her the alethiometer, an instrument that has revealed so much to her and to readers of The Golden Compass and its follow-up. Within a short time, too, we get to experience the "tingle of the starlight" on Serafina Pekkala's skin as she seeks out a famished Iorek Byrnison and enlists him in Lord Asriel's crusade: A complex web of thoughts was weaving itself in the bear king's mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch's insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child. Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest "preemptive absolution" should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than "a sacred task." In the final installment of his trilogy, Philip Pullman has set himself the highest hurdles. He must match its predecessors in terms of sheer action and originality and resolve the enigmas he already created. The good news is that there is no critical bad news--not that The Amber Spyglass doesn't contain standoffs and close calls galore. (Who would have it otherwise?) But Pullman brings his audacious revision of Paradise Lost to a conclusion that is both serene and devastating. In prose that is transparent yet lyrical and 3-D, the author weaves in and out of his principals' thoughts. He also offers up several additional worlds. In one, Dr. Mary Malone is welcomed into an apparently simple society. The environment of the mulefa (again, we'll reveal nothing more) makes them rich in consciousness while their lives possess a slow and stately rhythm. These strange creatures can, however, be very fast on their feet (or on other things entirely) when necessary. Alas, they are on the verge of dying as Dust streams out of their idyllic landscape. Will the Oxford dark-matter researcher see her way to saving them, or does this require our young heroes? And while Mary is puzzling out a cure, Will and Lyra undertake a pilgrimage to a realm devoid of all light and hope, after having been forced into the cruelest of sacrifices--or betrayals. Throughout his galvanizing epic, Pullman sustains scenes of fierce beauty and tenderness. He also allows us a moment or two of comic respite. At one point, for instance, Lyra's mother bullies a series of ecclesiastical underlings: "The man bowed helplessly and led her away. The guard behind her blew out his cheeks with relief." Needless to say, Mrs. Coulter is as intoxicating and fluid as ever. And can it be that we will come to admire her as she plays out her desperate endgame? In this respect, as in many others, The Amber Spyglass is truly a book of revelations, moving from darkness visible to radiant truth. --Kerry Fried --This text refers to the Hardcover edition. From Publishers Weekly As the assured, silver-tongued narrator weaving amongst the excellent work of approximately 40 British actors, Pullman extends an impossible-to-refuse invitation to listening adventure on this splendid adaptation of the much-anticipated conclusion to the His Da
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Beyond the Millennium
Author: Meier, Paul D. / Wise, Robert L.
ISBN: 0-7852-7196-1
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Pages: 309
Format: Paperback
Publisher: Thomas Nelson Inc
Published: March 1998
Condition:
Price: USD $1.69
Book Description: In this riveting tale, Paul Meier and Robert L. Wise provide a glimpse behind the veil of time, into the eye of the storm to witness how angels and demons battle for people's hearts and souls.
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Kentucky Rich
Author: Michaels, Fern
ISBN: 0-7394-2077-1
| Pages: 327Format: HardcoverPublisher: KensingtonPublished: October 1, 2001
Condition:
Price: USD $2.29
From Publishers Weekly: Continuing the saga of the Colemans and the Thorntons as recounted in Texas and Vegas, this latest novel puts the next generation center stage and is the first in a projected new trilogy. Thirty years after escaping her father's repressive Virginia home with her illegitimate daughter, Nealy Coleman Diamond returns to his deathbed, scrabbling to find answers to why Josh Coleman was so hateful and abusive. In the intervening period, she's become a woman of means, succeeding in the man's world of thoroughbred racing in Kentucky. Once all the secrets have been revealed and she's taken revenge on the scoundrel who impregnated her, will Nealy be free to find true love at last? As usual with Michaels's sagas, the characters range from the kindhearted to the blackhearted, with scarcely any halftones between. The plot verges on the melodramatic, but it moves too quickly to pall. It helps for readers to be interested in racing, since Michaels knows her Secretariat from her Man O'War. The audience for her previous works is probably waiting at the starting gate for this one.
From Library Journal: Following her popular "Texas" and "Vegas" trilogies (e.g., Vegas Heat), Michaels draws the same families into a new series, bringing readers another family saga. Moving from oil and casinos to the world of thoroughbred racing, she introduces Nealy Coleman Diamond, daughter of another branch of the Colemans. Once again, a downtrodden but feisty young woman finds her way to riches through a combination of incredibly lucky circumstances and hard work. Nealy's life improves, but her troubles are set up to continue into the next volume. The plot is straightforward until the end, when the rapid introduction of multiple characters from Texas and Las Vegas creates confusion, especially for readers unfamiliar with the previous novels. Michaels tends to skimp on character development and skim over long passages of time, but her plucky heroines in the world of the rich and famous obviously entertain many.
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Lake Wobegon Days
Author: Keillor, Garrison
ISBN: 0-670-80514-9
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Pages: 337
Format: Hardcover
Publisher: Viking Adult
Published: September 5, 1985
Condition:
Price: USD $2.29
Keith Graham, Atlanta Journal Constitution: "...Keillor re-asserts a positive image of America, portraying people who care about their neighbors..." Jack Wilkinson, United Press International: "Warm, witty, nostalgic, sometimes sad, always riveting..."
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Turn of the Century
Author: Andersen, Kurt
ISBN: 0-375-50008-1
| Pages: 659Format: HardcoverPublisher: Random HousePublished: May 4, 1999
Condition:
Price: USD $2.29
Amazon.com: Everyone will compare Kurt Andersen's scathingly funny first novel to Tom Wolfe's fictional debut, The Bonfire of the Vanities. Like Wolfe, Andersen is a merry terrorist, a status-attuned assassin with liquid nitrogen in his veins, a prose style with the cool purr of an Uzi, and the entire society in his crosshairs. And like the Man in White's protagonist, Sherman McCoy, Andersen's George Mactier is a master of the contemporary universe--not just Manhattan, but decadent post fin-de-siècle Hollywood, the globe-gobbling, infotainment-tainted news media, and cyberspace from Seattle to Silicon Valley to Silicon Alley. Turn of the Century opens in February 2000, in a bizarro world with just a tangy twist of futuristic extrapolation. George has parlayed a Newsweek writing job into a PBS documentary into a $16,575-a-week job as a producer at the sinister MBC network. His series, NARCS, is a veritable Cuisinart of fact and fiction in which the actors get to participate in real drug busts and get all the best lines, since they're working from scripts. In the most notorious episode, the dealer they arrest turns out to be an Actors Equity member (thanks to Rent), so he gets union scale and a recurring role. As George stumbles into a Wolfesque calamity spiral, his wife, Lizzie Zimbalist, ascends to power. Lizzie is a brilliant software entrepreneur: her "force-feedback technology" alternative-history game can sense players' fear. "If you travel to 1792 Paris, for instance, you are designated a besotted peasant or a frightened aristocrat or an angry sansculotte according to your heart rate, blood pressure, and skin conductance; too many twitches, the wrong sort of palpitation, and you're a marquess (or marchioness) headed for the guillotine." Needless to say, her insights into the year 2000 earn her bigtime interest from George's boss and Microsoft. Lizzie is a character at least as vivid as George, and their hectic family life is uncloying and acutely observed. Andersen's plot (involving Bill Gates's potential death) has more hairy turns than the Hana Highway--read carefully or you'll go off the road. But you're guaranteed a wild ride with amazing characters: an irreverent investor inspired by James Cramer, a hilarious MBC toady, Timothy Featherstone--who's as marvelous a creation as Tony Curtis in The Sweet Smell of Success--and worlds' worth of social caricatures. Kurt Andersen has an uncanny ear for the way we talk now and Turn of the Century is sharp, knowing, and subversive. Let's all pray that it isn't prescient as well. --Tim Appelo From Publishers Weekly A blockbuster fiction debut for media insider Anderson (formerly editor-in-chief of New York magazine, co-founder of Spy), this brilliantly conceived, keenly incisive social satire draws fresh humor out of the overhyped territory of millennial madness. Beginning his myopically futuristic novel on February 28, 2000, Anderson employs a future-present tense in which he mischievously tweaks current attitudes regarding marriage, friendship, the mass media, Wall Street and the computer industry, just to name a handful of his numerous targets. With ferocious energy, he also captures the essence of New York, Las Vegas, L.A. (its permanent sunniness, annoying and even slightly scary after a while, like a clowns painted-on-smile) and Seattle (... like a gawky guy with a great body whos bald and stammers and wears dorky clothes). These are not new topics for mockery, but Andersons eye is fresh and his irony carries a potent sting. George Mactier, executive producer of a controversial TV series called NARCS, and his wife, Lizzie Zimbalist, owner of a computer software company, serve as Andersons 21st-century poster couple. They are self-conscious enough to recognize the embedded ironies in their fast-paced, high-profile lifestyle (Lizzie voted reluctantly for Giuliani twice, but spent election day giving a five-dollar bill to anyone who happened to ask for money, as penance).
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Family Pictures
Author: Miller, Sue
ISBN: 0-06-016397-6
| Pages: 389Format: HardcoverPublisher: HarperCollinsPublished: April 1990
Condition:
Price: USD $2.49
From Publishers Weekly: If Miller's new novel does not have the shock value of The Good Mother , it benefits from a deeper, more subtle conception of character and a sure sense of the complexities of family relationships. When their third child, Randall, is diagnosed as autistic in 1954, the happy marriage of Lainey and David Eberhardt begins to disintegrate. Subscribing to then-current medical theories, David, a psychiatrist, blames Randall's disease on Lainey. She retaliates with three subsequent pregnancies, "accidents" that result in the little girls whom their father sardonically calls "the last straws." Seguing among the points of view of various family members, the narrative poignantly illustrates the widening effects of a domestic tragedy. As the Eberhardts' marriage goes awry, the children are wounded by David's emotional withdrawal and eventual departure, Lainey's hysterical need to prove she is "a good mother," and the daily pain of living with and caring for a mentally impaired sibling with powerfully destructive urges. Miller again displays a perfect ear for the dialogue between parents and children. In depicting the contrast between the Eberhardts' responses to their son's affliction--David's scientific evaluation, Lainey's spiritual courage--she demonstrates the ways in which parenthood is a "kind of reckless courage . . . a possibility for anguish and pain, and yet a miracle." 125,000 first printing; $125,000 ad/promo; BOMC main selection; author tour. Copyright 1990 Reed Business Information, Inc.
From 500 Great Books by Women; review by Suzanne Leslie Simmons: Family Pictures is a book that doesn't let go. You may want to read it twice: the first time to allow yourself to be swept up in caring and aching for this family, then again to savor Sue Miller's words and grasp their full impact. The story is told through the eyes of four different family members, and the complexity of family relationships is brought home through the various ways different characters interpret and react to the same events. The catalyst for this family's dysfunction is an autistic child, and each family member deals with Randall's mute power in his or her own way. The psychiatrist father withdraws emotionally and physically, unable to bear his family's pain as he does his patients'. The mother manifests her love, guilt, and shame through compulsive achievements, from wallpapering to having three more "perfect" children to compensate for Randall. The children foray into rebellious acts of teens in the 1960s. Each character comes to realize with varying degrees of poignancy "that each child represents such risk, such blind daring on its parents' parts - such possibility for anguish and pain - that each one's existence was kind of a miracle." This warm, gritty, realistic tale is about such daring. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. --This text refers to an out of print or unavailable edition of this title.
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While I Was Gone
Author: Miller, Sue
ISBN: 0-345-44328-4
| Pages: 304Format: PaperbackPublisher: Ballantine BooksPublished: May 12, 2000
Condition:
Price: USD $1.69
May 2000: In her still startling debut, The Good Mother, Sue Miller explored the premium we put on passion--and the terrible burden it places on a mother and child. Her fourth novel, While I Was Gone, is another study in familial crime and punishment. But this time, her wife and good mother is accessory to more than emotional malfeasance. Jo Becker has everything a woman could desire: a loving spouse, contented children, and a nice dog or two. When her New England veterinary practice takes on a new client, however, her past comes back to haunt her. Long ago, it seems, Jo had escaped her family and identity for a commune in Cambridge. Her Aquarian illusions came to an abrupt, bloody end when one of her housemates was brutally murdered. Now this unhappy era returns in the person of Eli Mayhew, who had been the odd man out in Jo's boho household. His appearance is both tantalizing and upsetting: "Inside, I slowed down. I felt numbed. I had two last patients, and then I told Beattie to go home, that I'd close up.... I refiled the last charts, sprayed and wiped the examining table. I reviewed my list of routine surgeries for Wednesday. All the while I was thinking of Eli Mayhew, and of Dana and Larry and Duncan and me, and our lives in the house. Of the horrible way it had all ended." Sue Miller's fine novel is a penetrating--and sensuous--portrait of a woman besieged by her conscience. While I Was Gone also demonstrates that in the face of distance and betrayal, a little knowledge can be a dangerous thing indeed. --Winnie Wheaton --This text refers to an out of print or unavailable edition of this title. The New York Times Book Review, Jay Parini ...a beautiful and frightening book, one that many readers will find difficult to forget. --This text refers to an out of print or unavailable edition of this title.
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While I Was Gone
Author: Miller, Sue
ISBN: 0-375-41178-X
| Pages: 288Format: HardcoverPublisher: KnopfPublished: May 30, 2000
Condition:
Price: USD $1.99
Amazon.com: In her still startling debut, The Good Mother, Sue Miller explored the premium we put on passion--and the terrible burden it places on a mother and child. Her fourth novel, While I Was Gone, is another study in familial crime and punishment. But this time, her wife and good mother is accessory to more than emotional malfeasance. Jo Becker has everything a woman could desire: a loving spouse, contented children, and a nice dog or two. When her New England veterinary practice takes on a new client, however, her past comes back to haunt her. Long ago, it seems, Jo had escaped her family and identity for a commune in Cambridge. Her Aquarian illusions came to an abrupt, bloody end when one of her housemates was brutally murdered. Now this unhappy era returns in the person of Eli Mayhew, who had been the odd man out in Jo's boho household. His appearance is both tantalizing and upsetting: "Inside, I slowed down. I felt numbed. I had two last patients, and then I told Beattie to go home, that I'd close up.... I refiled the last charts, sprayed and wiped the examining table. I reviewed my list of routine surgeries for Wednesday. All the while I was thinking of Eli Mayhew, and of Dana and Larry and Duncan and me, and our lives in the house. Of the horrible way it had all ended." Sue Miller's fine novel is a penetrating--and sensuous--portrait of a woman besieged by her conscience. While I Was Gone also demonstrates that in the face of distance and betrayal, a little knowledge can be a dangerous thing indeed. --Winnie Wheaton
The New York Times Book Review, Jay Parini ...a beautiful and frightening book, one that many readers will find difficult to forget.
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The Most Wanted
Author: Mitchard, Jacquelyn
ISBN: 0-670-87884-7
| Pages: 448Format: HardcoverPublisher: Viking AdultPublished: June 1, 1998
Condition:
Price: USD $2.29
Arley Mowbray is a drop-dead gorgeous 14-year-old, who, with her long, muscular frame and mature, collected manner could easily pass for 18. And pass she does. On a dare from her outspoken best friend, Elena Gutierrez, Arley writes to convict Dillon LeGrande in prison and convinces him she's a college student (though she hasn't made it out of junior high). Therein begins an ill-fated love story that myths are made of and men die for--except that's not what Dillon has in mind. Living in south Texas in a poor Tex-Mex community, Arley dreams of a less provincial life and secretly begins a love affair with Dillon via correspondence, which produces a flurry of poetry and achy-breaky love songs. Against the wishes of family and friends, Arley weds her amour, who promptly fathers her child, breaks out of prison, and mysteriously disappears. Fortunately for Arley, she has found a guardian angel in the form of Annie Singer, a straight-talking public defender from New York. Annie becomes the mother Arley never had, protecting her from Dillon and a love-starved home. Despite the strength of their bond, both underestimate Dillon's determination to get his child, no matter the cost. Jacquelyn Mitchard's first novel, The Deep End of the Ocean, was the first to receive Oprah's benediction, instantly making it a bestseller and thrusting Mitchard into the halls of literary stardom. Oprah's picks tend to stay within the thematic boundaries of overcoming dysfunction, harping on the nitty-gritty details of abuse. However, The Most Wanted boldly strides away from this and examines the many dimensions of motherhood, realistically depicting the ties that bind women, while supporting beyond debate that, yes, good girls do fall for bad boys. --Rebekah Warren
From Publishers Weekly: Despite portentous foreshadowing, Mitchard second novel never achieves the dramatic momentum and the emotional immediacy of her acclaimed fiction debut, The Deep End of the Ocean. But her depiction of two female protagonists is so large-hearted and wise that readers undoubtedly will be engrossed in their story. At 14, Arlington "Arley" Mowbray is a sensitive, conscientious and atypical teenager in a small, tacky South Texas town. She writes poetry, for one thing, and, instead of dating boys, she is a virtual slave to her hard-as-nails mother, whose lack of maternal instincts is shocking. When love-starved Arley begins corresponding with 23-year-old Dillon Thomas LeGrande, in jail for armed robbery, she is seduced by the poetry he writes and, with the reluctant help of public defender Annie Singer, gains permission to marry him. Soon, protective Annie takes a pregnant Arley into her home and heart, complicating her own relationship with her fiance, a death-row lawyer. Eventually, Dillon's true nature as a psychopath erupts, putting Arley and others in mortal danger. Mitchard's facility with intertwining plot lines results in a surprise-packed conclusion (with perhaps one surprise too many). Her depiction of the dizzy rapture of first love, and her insights into the maternal bond (Arley's with her infant daughter; Annie's with Arley, her surrogate daughter) are deeply affecting. Yet readers will find a troubling credibility problem. That studious Arley can transcend her culturally bereft upbringing is at least plausible, but it is unlikely that bad-boy Dillon would have the sensibility, background or vocabulary to create the poems attributed to him (actually written by Mitchard's friend, poet Sharron Singleton). Since so much of the plot hinges on Dillon's gift for poetry, the reader is keenly aware of this major flaw. Simultaneous Penguin audio; major ad/promo; Literary Guild and Doubleday Book Club main selections; author tour. (June) FYI: Mitchard borrows the name of a Chicago bookstore, Women and Children First, for the name of Annie Singer's law firm. Copyright 1998 Reed Business Information, Inc.
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Gone with the Wind
Author: Mitchell, Margaret
ISBN: 0-446-36538-6
| Pages: 1024Format: PaperbackPublisher: Warner BooksPublished: August 1, 1993
Condition:
Price: USD $2.49
Sometimes only remembered for the epic motion picture and "Frankly ... I don't give a damn," Gone with the Wind was initially a compelling and entertaining novel. It was the sweeping story of tangled passions and the rare courage of a group of people in Atlanta during the time of Civil War that brought those cinematic scenes to life. The reason the movie became so popular was the strength of its characters--Scarlett O'Hara, Rhett Butler, and Ashley Wilkes--all created here by the deft hand of Margaret Mitchell, in this, her first novel. The New York Times Book Review This is beyond a doubt one of the most remarkable first novels produced by an American writer. It is also one of the best.
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Half A Life
Author: Naipaul, V.S.
ISBN: 0-375-40737-5
| Pages: 224Format: HardcoverPublisher: KnopfPublished: October 16, 2001
Condition:
Price: USD $1.99
Amazon.com: Half a Life finds the veteran Booker and Nobel Prize-winning author V.S. Naipaul on familiar territory, blending autobiography and fiction in an exploration of the "half lives" of individuals brought up in the English colonies and educated in metropolitan cities. Naipaul's protagonist is Willie Somerset Chandran, named after Somerset Maugham's encounter with Willie's father in the 1930s while traveling "to get material for a novel about spirituality." Willie travels to England for his education, where he becomes "part of the special, passing bohemian-immigrant life of London of the late 1950s." Willie soon realizes that his colonial background allows him to write short stories for well-meaning white liberals, and he begins "to understand that he was free to present himself as he wished" and that he could "remake himself and his past" through his writing. The effect is suffocating rather than liberating, and he marries a vaguely sketched "girl or young woman from an African country," who has read his one published book. Willie begins another "half life" in colonial Mozambique, where he soon tires of the domestic and sexual tedium of plantation life and flees to Germany, mournfully reflecting that "I have been hiding for too long." This is classic Naipaul, with its effortless dissection of the damaging personal consequences of post-war decolonization, but its virtue seems its primary vice, as the novel feels like a conflation of several earlier Naipaul books, including The Mimic Men and the brilliant A Bend in the River. Consequently, some readers may well find that Half a Life reads more like half a novel. --Jerry Brotton, Amazon.co.uk
From Publishers Weekly: V.S. Naipaul has often been accused of being ungenerous, especially in his scathing accounts of Third World countries. His slim new novel tacitly poses the question of the worth of generosity without clarity and purpose. Willie Chandran, the central figure here, is born in India in the 1930s, the son of a bitter mixed caste marriage between a Brahmin and a "backwards" person, or untouchable. Willie learns as a child to despise his father's ineffectuality and his mother's coarseness. His father's vague motive in marrying his mother had been to break out of the provincial mold in which he was raised and to "live out a life of sacrifice," but too late he discovered that he retained all the prejudices of his caste and despised his wife. Going to London on a scholarship, Willie mixes in immigrant and bohemian circles, and even publishes a book. Naipaul's detached rendering of Willie's travails shows what happens to a young man who pieces his life together around the great, central dread of not being taken seriously the image of his father as an "idler" is always in his mind. Willie meets Ana, a woman of mixed African descent, when she writes him a fan letter about his novel. They become lovers. Willie goes back with Ana to her large outback estate in the "half and half" world of a Portuguese colony like Mozambique, where he remains for 18 years. Naipaul's plain narrative is studded with beautifully realized scenes, such as the London party at which a newspaper editor reads his own, self-written obituary, or the night Willie goes to an African brothel with Alvaro, an estate overseer. Although this novel does not aspire to the breadth of Naipaul's earlier fiction, it reminds us that his vision is on par with Conrad's or Graham Greene's. 40,000 first printing; 5-city author tour. Copyright 2001 Cahners Business Information, Inc.
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Suite Française
Author: Nemirovsky, Irene Smith, Sandra (Translator)
ISBN: 1-4000-4473-1
| Pages: 416Format: HardcoverPublisher: KnopfPublished: April 11, 2006
Condition:
Price: USD $4.99
From Publishers Weekly Starred Review: Celebrated in pre-WWII France for her bestselling fiction, the Jewish Russian-born Némirovsky was shipped to Auschwitz in the summer of 1942, months after this long-lost masterwork was composed. Némirovsky, a convert to Catholicism, began a planned five-novel cycle as Nazi forces overran northern France in 1940. This gripping "suite," collecting the first two unpolished but wondrously literary sections of a work cut short, have surfaced more than six decades after her death. The first, "Storm in June," chronicles the connecting lives of a disparate clutch of Parisians, among them a snobbish author, a venal banker, a noble priest shepherding churlish orphans, a foppish aesthete and a loving lower-class couple, all fleeing city comforts for the chaotic countryside, mere hours ahead of the advancing Germans. The second, "Dolce," set in 1941 in a farming village under German occupation, tells how peasant farmers, their pretty daughters and petit bourgeois collaborationists coexisted with their Nazi rulers. In a workbook entry penned just weeks before her arrest, Némirovsky noted that her goal was to describe "daily life, the emotional life and especially the comedy it provides." This heroic work does just that, by focusing--with compassion and clarity--on individual human dramas. (Apr. 18) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The Washington Post's Book World: This extraordinary work of fiction about the German occupation of France is embedded in a real story as gripping and complex as the invented one. Composed in 1941-42 by an accomplished writer who had published several well-received novels, Suite Française, her last work, was written under the tremendous pressure of a constant danger that was to catch up with her and kill her before she had finished. Irène Némirovsky was a Jewish, Russian immigrant from a wealthy family who had fled the Bolsheviks as a teenager. She spent her adult life in France, wrote in French but preserved the detachment and cool distance of the outsider. She and her husband were deported to Auschwitz in 1942, where he was gassed upon arrival and she died in the infirmary at the age of 39. Her manuscript, in minuscule and barely readable handwriting, was preserved by her daughters, who, ignorant of the fact that these notebooks contained a full-fledged masterpiece, left it unread until 60 years later. Once published, with an appendix that illuminates the circumstances of its origin and the author's plan for its completion, it quickly became a bestseller in France. It is hard to imagine a reader who will not be wholly engrossed and moved by this book. Némirovsky's plan consisted of five parts. She completed only the first two before she was murdered. Yet they are not fragmentary; they read like polished novellas. The first, "Storm in June," gives us a cross section of the population during the initial exodus from the capital, when a battle for Paris was expected and people fled helter-skelter south, so that the roads were clogged with refugees of all classes. Némirovsky shows how much caste and money continued to matter, how the nation was not united in the face of danger and a common enemy. In her account, the well-to-do continue to be especially egotistical and petty. And yet a deep, unsentimental sympathy pervades this panorama. Looking up to the sky at enemy planes overhead, the refugees who have to sleep on the street or in their cars "lacked both courage and hope. This was how animals waited to die. It was the way fish caught in a net watch the shadow of the fisherman moving back and forth above them." I can't think of a more chilling and concise image to convey the helplessness of civilians in an air raid. Not being French herself but steeped in French culture may have made it easier for Némirovsky to achieve her penetrating insights with Flaubertian objectivity. She gives us startling, steely etched sketches of both collaboration and resistance among people motivated by
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The Birthright
Author: Oke, Janette / Bunn, T. Davis
ISBN: 0-7642-2230-9
| Pages: 285Format: HardcoverPublisher: Bethany House PublishersPublished: January 1, 2001
Condition:
Price: USD $1.99
Torn apart by tragic circumstances, two families rediscover bonds more powerful than bloodlines and faith stronger than tragedy. Song of Acadia book 3.
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The Quincunx
Author: Palliser, Charles
ISBN: 0-345-36463-5
| Pages: 788Format: HardcoverPublisher: Ballantine BooksPublished: January 14, 1990
Condition:
Price: USD $2.99
From Publishers Weekly: The epic length of this first novel--nearly 800 densely typeset pages--should not put off readers, for its immediacy is equal to its heft. Palliser, an English professor in Scotland, where this strange yet magnetic work was first published, has modeled his extravagantly plotted narrative on 19th-century forms--Dickens's Bleak House is its most obvious antecedent--but its graceful writing and unerring sense of timing revivifies a kind of novel once avidly read and surely now to be again in demand. The protagonist, a young man naive enough to be blind to all clues about his own hidden history (and to the fact that his very existence is troubling to all manner of evildoers) narrates a story of uncommon beauty which not only brings readers face-to-face with dozens of piquantly drawn characters at all levels of 19th-century English society but re-creates with precision the tempestuous weather and gnarly landscape that has been a motif of the English novel since Wuthering Heights . The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb. Literary Guild dual main selection. Copyright 1989 Reed Business Information, Inc.
From Library Journal: First novelist Palliser combines an eye for social detail and vivid descriptions of the dark side of 19th-century London with a gift for intricate plotting and sinister character development reminiscent of 19th-century novels. He weaves a complicated tale of a codacil containing a crucial entail, the possible existence of a second will, and a multiplicity of characters--all mysteriously related--seeking to establish their claims to a vast and ancient estate. Related by a young boy who often appears too worldly for his sheltered upbringing and wise beyond his years, the story occasionally bogs down in innuendo and detail which become tedious rather than suspenseful. Nevertheless, overall, this is a gripping novel. Highly recommended. Literary Guild dual main selection. Previewed in Prepub Alert, LJ 10/15/89. - Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass. Copyright 1989 Reed Business Information, Inc.
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Veil of Secrets
Author: Parker, Una-Mary
ISBN: 0-453-00722-8
| Pages: 342Format: HardcoverPublisher: Dutton AdultPublished: April 27, 1990
Condition:
Price: USD $2.29
From Publishers Weekly: British blueblood Parker's romantic suspense novel will hold few surprises for fans of the genre. Madeleine Delaney, beautiful, moneyed and a fabulously successful New York artist, receives a late-night phone call from her estranged maternal grandfather, a member of the Devon gentry. Responding to his mysterious request that she come to England as soon as possible, Madeleine discovers that her supposedly long-dead mother may in fact be alive, and that untold machinations within her family have kept the truth from her for years. Meanwhile Carl, Madeleine's sexy, sun-tanned husband, gets caught up in an embezzlement plot set up by his tarty secretary, the nefarious Kimberley Cabot of Maspeth, Queens. And Madeleine's best friend Jessica, a hostess at London's finest hotel, turns down marriage to pursue her career, then falls desperately in love with another man. This opus by the author of Scandals and Riches , both bestsellers in England, is as cliche-ridden and formulaic as they come. Moreover, its archness and snobbery toward all things American, given the novel's ignorance of U.S. customs, society and language, may be odious to readers on this side of the Atlantic. Copyright 1990 Reed Business Information, Inc.
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Balance of Power
Author: Patterson, Richard North
ISBN: 0-345-45017-5
| Pages: 611Format: HardcoverPublisher: Ballantine BooksPublished: October 14, 2003
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Price: USD $2.99
From Publishers Weekly Gun control and tort reform are the thorny issues tackled in this political drama, with Patterson hero Kerry Kilcannon ensconced in the White House and planning his marriage to former television journalist Lara Costello. Kilcannon (last glimpsed in Protect and Defend) has been president for less than a year when he is caught up in a potentially disastrous domestic crisis. Lara's sister, Joan, is brutally beaten by her husband, John Bowden, and Kerry, who rescued his own mother from his violent father, lets emotion get the better of him, asking the California DA to intervene. Meanwhile, in the political arena, Kerry is battling an NRA-type group called Sons of the Second Amendment (SSA). When the fuse Kerry lit under John Bowden explodes predictably (Bowden goes on a killing spree in an airport while the Kilcannons are away on their honeymoon), Kerry sees red and goes after the manufacturer of the gun Bowden used. The gun lobby circles wagons around the SSA and pushes a tort-reform bill called the Civil Justice Reform Act, which protects the manufacturers of any "products" from litigation by victims of criminals. Congress kowtows to America's captains of industry, with guns as the focal point: "gun immunity hung in the balance of power between the President and the senator who intended to displace him." This is a Democratic nightmare scenario, and the novel paints a grim picture of the challenges facing gun-control advocates. Patterson is known for his intricate law-and-politics-laced crime fiction, but lawmaking trumps suspense in this novel and may leave his fans wanting for more. Patterson is a strong supporter of gun control-as he notes in an afterword-and his passion is evident here. Readers seeking pure entertainment may be disappointed, but those with the patience to follow the involved plot will learn much about gun policy debate. Copyright 2003 Reed Business Information, Inc.
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The First Victim
Author: Pearson, Ridley
ISBN: 0-7868-6440-0
| Pages: 413Format: HardcoverPublisher: HyperionPublished: July 7, 1999
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Price: USD $2.29
Lieutenant Lou Boldt, the Seattle cop who stars in Ridley Pearson's deservedly popular series, is a sharp and touching figure--perhaps the most believable police officer in current fiction. Early in this ninth book about his public and private life, Lou has to put on a bullet-resistant vest to lead a raid against some dangerous criminals. "The vest was not physically heavy, but its presence was," Pearson tells us. It meant battle; it meant risk. For Boldt a vest was a symbol of youth. It had been well over a year since he had worn one. Ironically, as he approached the hangar's north door at a light run behind his own four heavily armored ERT personnel, he caught himself worrying about his hands, not his life. He didn't want to smash up his piano hands in some close quarters skirmish... Boldt plays jazz piano one night a week in a local bar, and despite his concern for his hands, he takes every opportunity he can to get away from his desk and into the streets. But money pressures, caused by his wife's recent illness, also make him think about the possibility of a better-paying job in the private sector. Meanwhile, some extremely ruthless people are murdering illegal Chinese immigrant women and leaving their bodies buried in newly dug graves. An ambitious local TV journalist named Stevie McNeal and the young Chinese woman she thinks of as her "Little Sister" risk their lives to investigate the killings, while Boldt and his team round up a most unusual array of suspects. This combination of hard-edged realism and softer sentiment has become Pearson's trademark, and once again it works smoothly. --Dick Adler
From Publishers Weekly: Impeccably paced, beautifully observed and moving with a crescendo of suspense, this is another thoughtful and exciting Seattle-based police thriller from Pearson (The Pied Piper), whose skill at maintaining a balance between the narrative thrust of his plot and the personal lives of his characters makes him a top-notch practitioner of the genre. We learn just enough about Lt. Lou Boldt's current situation to realize that his recent promotion has had mixed benefits: he misses street work and bends the rules to get out from behind his desk. We also discover that his wife Liz's apparent remission from cancer has created some domestic tensionAshe credits her good results to faith; he can't quite make the same leapAand that financial pressure caused by the loss of her income has made him think about leaving the police force. We acquire this information gradually, as naturally as we would in real life, while being swept along through a heartbreaking narrative that involves illegal Chinese immigrant women being smuggled into Seattle in cargo containers. The story becomes a crusade for two sharp and ambitious female journalistsAlocal TV superstar Stevie McNeal and Melissa Chow, the young Chinese woman McNeal's father adopted, and whom Stevie calls "Little Sister." Lieutenant Boldt and his unusually well-defined team become involved when Melissa goes underground as an illegal and then disappears. Bodies of several Chinese women are found in a public graveyard, the "first victims" of a particularly vicious gang of smugglers. As one of Boldt's colleagues explains to McNeal, "The first victim is generally the one that is handled carelessly." Like all of Pearson's insights into the minds of criminals, cops and citizens, this one is strong, subtle and full of resonance. Atmospheric descriptions of Seattle and some fascinating forensic evidence add texture to a riveting story. $250,000 ad/promo. (July) FYI: The mass market edition of The Pied Piper, released simultaneously, will carry a teaser chapter from The First Victim. Copyright 1999 Reed Business Information, Inc.
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A Bed by the Window
Author: Peck M.D., Morgan Scott
ISBN: 0-553-35387-X
| Pages: 320Format: PaperbackPublisher: BantamPublished: October 1, 1991
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Price: USD $1.69
From Publishers Weekly: Setting his first novel in the Midwestern community of New Warsaw, psychologist Peck ( The Road Less Traveled ) focuses on inmates of the Willow Glen nursing home. This small but fascinating world is soon disrupted by the murder of its most famous and charismatic resident, spastic quadriplegic Stephen Solaris, who taps messages with his knuckles on a letter board and is the only non-elderly resident. Ex-New Yorker Lt. Petri, a fresh recruit to the local police force, plunges into an investigation, armed with a fistful of preconceptions about nursing homes and seniors, and is saved from making a false arrest by the fortunate interference of residents Marion Grochowski and Georgia Bates. Petri admits his mistake and broadens his search, finally seeking help from Dr. Kolnietz, Willow Glen therapist. Peck's interest in the metaphysical is well placed in the nursing home setting, where death is an expected visitor. Yet the author's examination of virtue is more searching than his consideration of evil, and some characters experience unconvincing changes of heart. But that should not deter the reader from enjoying a generally intelligent look at human growth. Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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The Triumph of Gold
Author: Pick, Franz
ISBN: 0-938689-01-0
| Pages: 151Format: PaperbackPublisher: Inst for the PreservationPublished: December 1987
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Price: USD $6.99
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Winter Solstice
Author: Pilcher, Rosamunde
ISBN: 0-312-24426-6
| Pages: 464Format: HardcoverPublisher: Thomas Dunne BooksPublished: August 1, 2000
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Price: USD $2.69
Amazon.com: Rosamunde Pilcher's novel, despite its chilly setting, will warm the hearts of her growing army of loyal fans. Winter Solstice has all the familiar trademarks of a Pilcher saga, spun in her inimitable, homey, beguiling style. The story is told, chapter by chapter, from the perspectives of an eclectic array of characters. Former actress Elfrida--not very good by her own admission--leaves London for a geriatric bolthole in the country where she meets retired schoolmaster and organist, Oscar. Meanwhile, Carrie (Elfrida's second cousin), returns to London from Austria where she had a brilliant career in the tourist industry, only to find her niece, 14-year-old Lucy, sadly neglected by her selfish mother and equally spoiled grandmother. Finally, handsome Sam is recalled from New York by his company chairman to revive an ailing Scottish textile mill. As one character after another must learn to live with their losses, they find themselves collectively spirited northwards, from Sussex to Scotland, by way of Cornwall. And, as events unfurl, slowly, surely, but inevitably, those in need find solace in unexpected places. While her characterizations are generally carefully crafted and entirely rounded, Pilcher's greatest strengths lie in her natural, easy narratives of everyday life and her thoroughly researched and captivating descriptions of scenery and surroundings. --Carey Green
From Publishers Weekly: The author of The Shell Seekers has penned another romance sure to give fans the warm fuzzies, even though it's set in the north of Scotland in winter. Colorful Elfrida Phipps, 60-ish and single, has retired from a lifetime on the stage to a country retreat in Hampshire, England. There, she is befriended by Oscar and Gloria Blundell and their 12-year-old daughter, Francesca. Oscar, an organist, is somewhat older than his wife and the Blundells live in Gloria's family house. When Gloria and Francesca die in an automobile accident, Gloria's sons from a previous marriage inform Oscar that they are selling the property and he must leave. Elfrida persuades the grief-stricken, penniless Oscar to return to his childhood haunt, Corrydale, in Creagan, Scotland. His grandmother's grand estate is now a hotel, but the former estate manager's house is vacant and still belongs to the family. With few ties herself, Elfrida moves with Oscar to Creagan, where he plans to escape the upcoming Christmas festivities and the sad memories they will arouse. A distant relative of Elfrida's is also looking for a quiet place to spend the holidays. Beautiful, stylish 30-year-old Carrie Sutton is escaping a painful love affair. She has rescued her 14-year-old niece, Lucy, from Lucy's neglectful mother and grandmother, and the two seek asylum with Elfrida and Oscar. When handsome, successful, separated Sam Howard knocks on their homey door in a snowstorm, there is nothing to be done but invite him to stay, and the five souls from three generations find Christmas isn't so sad, after all. As her devoted readers have learned to expect, Pilcher's fond descriptions of domestic detail and her atmospheric evocation of the Scottish landscape add substance to a predictable but heartwarming plot. Copyright 2000 Reed Business Information, Inc.
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Daybreak
Author: Plain, Belva
ISBN: 0-385-31104-4
| Pages: 360Format: HardcoverPublisher: Delacorte PressPublished: April 1, 1994
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Price: USD $2.49
From Publishers Weekly: Writing with her customary fervor but with uneven results, Plain ( Whispers ) again investigates the familiar territory of complex family relationships. This time she examines a situation right out of recent headlines: the switching of babies at birth. Margaret and Arthur Crawfield have just buried their son Peter, dead of a genetic disorder, and must come to grips with the fact that DNA testing proved conclusively that he could not have been their biological child. The parents of the dead boy, Bud and Laura Rice, are quickly traced, and it is shown that their robust son Tom is indeed the Crawfield's. But--and the irony is heavily emphasized--Tom and his father are both racists, admirers of the Klan and the Nazi party. The Crawfields are Jewish. The novel is at its best, and most moving, as the two families meet and try to sort out the events that have devastated them all. Bud evades the issue by total denial. Depressed and antagonistic, Tom emerges as one of the few fully realized characters in this schematic rendering. Unfortunately, most of the other characters are stereotypes: the loyal black family retainer; the saintly mothers; a smarmy right-wing politician. A massive deus ex machina tidies up potentially troublesome complications. Yet Plain knows how to wring the emotions from her examinations of family dynamics, and her audience will undoubtedly find this latest effort appealing. Copyright 1994 Reed Business Information, Inc.
From Booklist: To be charitable, you don't |
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